Acetazolamide may have helped, had it been taken earlier. On the whole, judging by Bella's facial expression it's evident that the girl was dropped head down more than once in her infancy and now has difficulty comprehending what is being said around her. Where's love, where's sincerity, where's youthful impetuousness? Gone to the dogs. Bella's attempt to seduce Edward looks nauseating, so pre-planned it is. Is she doing it for her shrink? Next time fetch your pocket calculator to draw up the balance, Bella. Now we see an egoistic scheming wench not caring a fig about anybody, her only aim, as we learn in the end, was to sift through her motives and to make the RIGHT choice, and that's becoming a vampire, love is secondary here. She's lost all the appeal of a young inexperienced girl caring for everybody, eager not to hurt, to bring together, a heart bleeding for everyone. Next time I'll be more attentive to the messages he sends. He has definitely seen the pre-release copy. Pattinson credit, for he's honest – he said that he feared nobody would come to see the film. It's obvious that, on the one hand, the actor was left with no choices of his own and with not much of a role to play, on the other hand, he's tired of the franchise whatever he may be saying in public (and anyone would be tired of this film 'very DIFFERENT from the previous two'). Edward must be changing, but - so? Edward seems to be turning into a willing slave of Bella and effacing himself completely. Edward was best in 'Twilight', in 'New Moon' it was slow deterioration, now it's a catastrophe. Motilium and sickness medications, quick! It's not a progress in acting, but a step back. It seems that each and every Bella's appearance on the set is nauseating for him and he's manly fighting this emotion to conceal it. Edward is hanging about with the facial expression of one having chronic dyspepsia. It seems the main characters are suffering from various diseases and need medication real quick. The only credits in this field go to Jasper and Emmett. I bet people expected much more than that bit of morning exercise, waving hands and raising legs. If this tiny part of vampires' training and a tiny fragment of real fighting lacking any gusto can be called action, then I'll eat my hat. Edward's repeated bleating about Bella marrying him obviously gets even on his own nerves.

ALL of them seem to be there just because the franchise must plod on. On the whole, all the actors have to mumble through some nonsense lines which have to pass for dialogue. Both the stories lack some essential parts absolutely necessary for understanding the characters. The flashbacks with Rosalie and Jasper held some promise, but no, David Slade was very consistent in destroying their appeal, too. How otherwise could they have created this this product (euphemism)? No coherent and consistent dialogue, no dialogue meaningful enough to give the actors at least SOME room for displaying their acting skills, no character motivation, no chemistry between the characters. Slade and Rosenberg seem to have been intensely hating the book while filming it. Though in comparison with 'Twilight', Chris Weitz almost botches up Edward's character to save it at the last moment in the episode with the Volturi, both films have an atmosphere of their own. This break from the slow pacing of the time tedious for Bella to break-neck speed of the Italian part does the film credit. Chris Weitz, on the other hand, concentrated on the character of Jacob and on the film gathering momentum in the very end, when Bella goes to Italy. The colour gamut of 'Twilight', the dialogues, the motivation of the characters, the pacing varying from slow to lightning speed – everything was there to contribute to the magic. The film has no magic of Catherine Hardwicke's 'Twilight' which concentrated on the phenomenon of first love with all shades of emotion, its tenderness and blunders. David Slade has done the impossible - he managed to butcher the 'Eclipse' novel altogether! Instead of the most dynamic book of the saga, which – though possessing no literary qualities of big literature - is at least a page-turner, he produced an incredibly cheesy hash-dish of disconnected episodes, none of which is charged and coherent enough for the viewer to evaluate its meaning for the plot and character development. 'Eclipse' is a cheap hack-work whose only aim is to make some easy money. You're in danger of losing millions of viewers for 'Breaking Dawn' if the trend begun by David Slade continues! If you don't care about quality movies, care at least about your profits. 'Summit Entertainment', please call back either Catherine Hardwicke or at least Chris Weitz! The franchise is getting from bad to worse. So much ado in the world mass media about 'Eclipse'! And - much ado about nothing.

Download film the twilight